OUTPUTS AND PUBLICATIONS


Picture of medieval figures outdoors

BNF: Français 1584 , Fol. 227, Guillaume de Machaut

 

The publications produced by the MALMECC team range across different media. A selection of pieces that relate to the researchers’ work on the project are given below.

 

Films

To watch the MALMECC playlist on youtube, please click here.

 

Documents

2020

CATALUNYA, DAVID – ‘Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources’, forthcoming in Disiecta Membra Musicae: Studies in Musical Fragmentology, ed. Giovanni Varelli, Studies in Manuscript Cultures, Berlin: De Gruyter, 2020.

CATALUNYA, DAVID – ‘Ars subtilior in Organ Playing c.1380-1420: Another Glimpse into a Late Medieval Unwritten Performance Practice’, forthcoming in Kirchenmusikalisches Jahrbuch (Brill), 2020.

KUEGLE, K. B. J. – ‘The Aesthetics of Fragments’, forthcoming in Disiecta Membra Musicae: Studies in Musical Fragmentology, ed. Giovanni Varelli, Studies in Manuscript Cultures, Berlin: De Gruyter, 2020.

MURRY, DAVID – ‘’Ju, ich jag’: A Three-part Song in the Mönch von Salzburg Corpus in Translingual Perspective’, Oxford German Studies, 49:1, 1-26, DOI: 10.1080/00787191.2020.1735212, 2020.

MURRY, DAVID – ‘Ein ‘volles Lied’: Übertragung und Klang am Beispiel der geistlichen Lieder des Mönchs von Salzburg’ , in Geistliche Liederdichter zwischen Volkssprache und Liturgie: Übertragungen, Bearbeitungen, Neuschöpfungen in Mittelalter und Früher Neuzeit, ed. by Andreas Kraß and Matthias Standke, Liturgie und Volkssprache, 5 (Berlin: De Gruyter, 2020), pp. 63–89 . Gold open access at: https://doi.org/10.1515/9783110666816

SMILANSKY, URI – ‘Creating MS C: Some Practicalities and Procedures Relating to the Production of Machaut’s First Collected-Works Manuscript’, forthcoming in Early Music History (Cambridge University Press), 2020.

 

2019

KUEGLE, K. B. J. – ‘Manuscript Ivrea, Biblioteca capitolare 115: introductory study and facsimile edition’, Ars nova: nuova serie, vol. 5, Lucca: Libreria Musicale Italiana, 2019, xix and 70 pp. + 134 photographic colour plates.

MURRAY, D. A. – ‘The secular songs of the Monk of Salzburg’, in Musikleben des Spaetmittelalters in der Region Oesterreich, edd. Reinhard Strohm and Birgit Lodes, https://musical-life.net/essays/secular-songs-monk-salzburg

MURRAY, D. A. – ‘Die Uebersetzungen des Moenchs von Salzburg als Lieder: Das Fallbeispiel der Mariensequenz Salve mater salvatoris.‘ In Andreas Krass, Christina Ostermann (Ed.), Hymnus, Sequenz, Antiphon: Fallstudien zur volkssprachlichen Aneignung liturgischer Lieder im deutschen Mittelalter (pp. 193-222). Berlin, Boston: De Gruyter: https://doi.org/10.1515/9783110648799-008

 

2018

MASSON, CHRISTOPHE – ‘La Iglesia fracturada. El gran Cisma de Occidente’, Desperta Ferro Antigua y Medieval nº48; July 2018, https://www.despertaferro-ediciones.com/revistas/numero/antigua-y-medieval-48-qadesh-egipto-contra-hititas/

SLATER, LAURA – ‘Review of Renana Bartal, Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts (London: Routledge, 2016)’  Peregrinations: Journal of Medieval Art and Architecture 6, 4 (2018): 260-271. https://digital.kenyon.edu/perejournal/vol6/iss4/9

 

2017

MASSON, CHRISTOPHE – ‘Review of Jean-Yves Copy: La revendication bretonne du trône de France (1213-1358)’, www.sehepunkte.de, December 2017 http://www.sehepunkte.de/2017/12/29328.html

MURRAY, DAVID. –  ‘Bernard de Ventadour’. The Literary Encyclopedia. Volume 1.5.2.01: Old French to the Middle Ages, 500-1400 Eds. Ailes, Unwin, Williams. November 2017 https://www.litencyc.com/php/speople.php?rec=true&UID=5487

SLATER, LAURA – ‘Lessons in Leadership and Liturgy in the Winchcombe Psalter’, English Studies 98(1): 49-62, 02 Jan 2017 https://ora.ox.ac.uk/objects/uuid:94ec0f34-f542-4abd-9640-7f1b9ff319c1

 

2016

KUEGLE, K. B. J. – ‘Die Fragmente Oxford, All Souls 56 und die mensural notierte Mehrstimmigkeit in Köln um 1400. Ein Zwischenbericht’ in Musik der mittelalterlichen Metropole: Räume, Identitäten und Kontexte der Musik in Köln und Mainz, ca. 900–1400 Ed. Kolb, F (Kassel: Merseburger 2016) 301-324 http://www.merseburger.de/index.php?id=10075&

MURRAY, D. A. – ‘The Clerical Reception of Bernart de Ventadorn’s ‘Can vei la lauzeta mover’ (PC 70, 34)’, Medium Aevum 85: 259-277, 15 Dec 2016 https://ora.ox.ac.uk/objects/uuid:71a3c6e8-2fa6-4438-b4f9-fb9d06c05924