Re-visiting the concept of the ‘musical work’. Part III: A Palace for Music by Soterraña Aguirre Rincón
Those present in the chamber cannot be seen from the Salón but goings-on in the Salón can be followed and observed from the chamber…
Those present in the chamber cannot be seen from the Salón but goings-on in the Salón can be followed and observed from the chamber…
Interview with Grantley McDonald, Post-doc researcher on the MALMECC project What attracted you to this project? I have been working on a large-scale project on the court chapel of Maximilian I Habsburg (1459–1519) since 2016. At every turn I became aware how much its structures, practices and personnel drew on […]