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Re-visiting the concept of the ‘musical work’. Part I: Why collaborate with MALMECC? by Soterraña Aguirre Rincón

Do we need the concept of the ‘musical work’ to make a music history? This is a simple question to which it is not easy to offer an answer. If we answer it restrictively, we would have to say that its use is only relevant for the study of the music of the 19th century and much of the 20th century. But it is also quite possible that we might accept its validity for music from the 15th century onwards…


Life Imitating Art Imitating Life Imitating Art Imitating Life? A Peek at Machaut and Le Franc – Part I by Uri Smilansky

Part I of IV by Uri Smilansky Helen Swift has written extensively (2017, but also 2004, 2006, 2008 and 2013) about an extraordinary work, the Complainte du livre du Champion des Dames a maistre Martin le Franc son acteur­­. Martin le Franc (c. 1410-1461) must have composed this 60-strophe dream-poem […]