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Re-visiting the concept of the ‘musical work’. Part II: My project, the Renaissance Musical Work by Soterraña Aguirre Rincón

As I mentioned in my previous post, the research project The Renaissance Musical Work: Fundamentals, Repertoires and Practices, carried out by the Contrapunto team, is based on the study of ‘other’ sources, environments and kinds of music that are little used in general music historiography. Now, I would like to present some of these.